FILL IN THE BLANK when musicians legally challenged the music-sharing site napster, the basis for the artists' argument was their blank ________ in the songs they had written and recorded.

False Japan's traditional puppet theater is called bunraku . During the Edo Period in Osaka, it began as commonplace entertainment for the common people and developed into artistic theater in the late 17th century. It is listed as one of UNESCO's Intangible Cultural Heritage, along with kabuki and noh.

Each of the half-life-size bunraku puppets is operated by three people: two assistants and a principal operator. Instead of using strings, the puppeteers work together to move the puppets' limbs, eyelids, eyeballs, eyebrows, and mouths to create lifelike actions and facial expressions. Although they are in full view of the audience, the puppeteers are dressed in black to imply that they are "invisible." Because a single person is narrating the story and also speaks for all of the puppets, they need to have a wide range of vocal expressions to represent people of all ages and genders. The shamisen's accompaniment music determines the narration's pace. As the performers create their intricate movements in sync with the narration and the shamisen's music, it is delightful to watch the sophisticated puppets come to life. Stories based on adaptations of scripts with similar themes are frequently depicted in kabuki and bunraku. Popular are tales based on historical events, heroic legends, and classic tragic love stories.

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Homorhythm is the term for the texture in which every voice has the same beat.

The study of chords in the context of music is known as harmonic analysis. Harmonic analysis is much simpler when texture is understood. Harmonies, melodies, rhythms, and timbres (sound properties) are expressed through texture.

The overall impact of a piece of music is influenced by various factors (such as various instrument sounds). Monophonic, polyphonic, homophonic, and heterophonic are the four basic texture kinds.

Only one melodic line can be found in a monophonic material. Playing in unison is the act of several musicians playing the same song simultaneously.

In a homorhythmic texture, all voices move in a rhythm that is strikingly similar to or entirely unison. This is most frequently heard in compositions that resemble chorales, when the melody and harmonies travel in block chords.

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timbre (rhyme scheme, phrase, cadence) is NOT used to describe the structure of a melody

A musical composition's melody is made up of a series of notes that are performed or sung. A basic melody might only have one musical phrase—just a few brief notes—in it. Jazz, operatic arias, and progressive rock epics all have complicated melodies that are often the result of more complex musical ideas.

Pitch and length are the two main elements of a melody. According to music theory, each note vibrates at a unique frequency that establishes its pitch—how "high" or "low" it sounds. The duration of a note is how long it is held. As an illustration, a quarter note is a note that is one-fourth the length of a measure in 4/4 time. The length of the gaps between notes is another aspect of duration.

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Samadhi is a blissful state that comes from complete absorption or identity with the sigh of all (ultimate reality).

The highest state of awareness that can be attained by meditation is known as samadhi in Sanskrit. The eighth and last limb of the ashtanga yoga system, according to the ancient Yoga Sutra texts by Patanjali, is known as samadhi in Hinduism. The eighth practise in Buddhism's Noble Eightfold Path to enlightenment and reincarnation is samadhi. While the Noble Eightfold Path and the eight limbs of yoga share a similar end point, it places more emphasis on daily life in the outside world than the more inwardly directed ashtanga yoga approach.

Samadhi cannot be exercised because it develops naturally during meditation. You might suddenly enter samadhi if you put time into your practise of dharana (concentration) and dhyana (meditation).

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Artemisia Gentileschi lived at a time when women were not easily accepted into the art profession, but she was supported by her father, who was also an artist.

When Artemisia Gentileschi was 17 years old, she painted her earliest known piece, which some academics have partly credited to her father. The piece, Susanna and the Elders, recounts a biblical tale in which a fair, pious wife is ogled by some lecherous male elders while taking a bath. It was a familiar topic for artists at the time, but Gentileschi depicted it in a unique way. In her interpretation, the aggrieved woman—and her reaction upon realizing she is being watched—takes center stage. According to Mary D. Garrard, the biographer of Gentileschi, "Artemisia's Susanna gives us with an image unusual in art, of a three-dimensional female woman who is heroic." Garrard went on to say that, in contrast to earlier representations, "the expressive center of Gentileschi's picture is the heroine's anguish, not the villains' anticipated pleasure."

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All of the following are elements a scene designer might consider when creating a staging visual presentation except underscoring.

Scenic design, sometimes called scenography, stage design, or set design, is the process of creating scenery for theatre productions as well as for movies or television shows. Although scenic designers come from a range of artistic backgrounds, in recent years, trained professionals with B.F.A. or M.F.A. degrees in theatrical arts have dominated the field. The overall artistic objectives of the production are supported by the sets and settings that scenic designers build. While it has been argued that scenic design is also a form of production design, it is typically seen as a component of a movie or television show's visual production. In order to develop an overarching visual concept for the production and create the stage environment, the scenic designer collaborates with the director and other designers.

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In his short story, Of Mice and Men, John Steinbeck makes extensive use of imagery to help the reader conjure up a mental picture.

Of Mice and Men was published in 1937 by John Steinbeck. The main characters of the tale are George and Lennie, who move around California looking for job. They talk about their desire to get their own acre of land throughout the book. George is a diminutive, perceptive man who constantly watches out for his close friend Lennie. Lennie is a big man with learning difficulties who doesn't recognize his power.

In his novella, John Steinbeck makes use of a variety of literary tropes, including imagery. When a writer uses figurative language to conjure an image in the readers' thoughts, that is called imagery. The five senses—sight, touch, smell, taste, and sound—are employed in this process. The use of imagery in Of Mice and Men is essential because it enables the reader to see the events being narrated.

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Plato philosophers believed that the world around us was a mere shadow of a different, perfect world that consisted of pure, ideal forms.

Greek philosopher Plato lived from from 428 BCE to roughly 348 BCE. His actual birth and passing dates are unknown. One of the founding figures of Western philosophy is commonly regarded as Plato, and many of his ideas are still prevalent in philosophy today. Plato's Theory of Forms stands out among these concepts.

In the end, the Theory of Forms provides a framework for comprehending reality. According to Plato, everything people see and experience in their daily lives are merely representations of a reality that they cannot access but which still has an impact on the world. Although most people find this theory to be counterintuitive, it has had a significant impact on philosophy and shares elements with Kantian metaphysics and other philosophical views.

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Orange - 0:41s: excerpt 1 - Fugue, Yellow: 0.56s: excerpt 2: Variation, Purple: 0.19: excerpt 3: Theme.

A fugue is a contrapuntal creative style in music for two or more voices that is based on a subject (a musical theme) that is introduced at the start in imitation (repetition at different pitches) and returns repeatedly throughout the piece. Contrary to popular belief, it is distinct from fuguing tunes, a type of song primarily associated with West Gallery and early American (i.e., shape note or "Sacred Harp") music. An exposition, a development, and a final entry with the subject returning in the fugue's tonic key make up a fugue's three main sections. A recapitulation appears in some fugues. The phrase was frequently used to refer to any canonic works during the Middle Ages, but by the Renaissance, it had come to mean especially imitative works.

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The Popular pricing game on The Price Is Right crossword clue should be:

Triumph of the Will's purpose is to promote the National Socialist Party and its leader, Adolf Hitler, at the 1934 Nuremberg rally. It is a propaganda film aimed at glorifying the Nazi regime and portraying Hitler as a strong leader who will bring prosperity to Germany.

It is regarded as one of the most effective propaganda films ever produced, but it is also one of the most divisive films of all time, owing to its association with the Nazi Party and the atrocities committed during the Holocaust.

Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited, and co-written by Leni Riefenstahl. The film was commissioned by Adolf Hitler, who also served as an unofficial executive producer; his name appears in the opening titles. It tells the story of the 1934 Nazi Party Congress in Nuremberg, which drew over 700,000 Nazi supporters.

The film includes excerpts from speeches delivered by Nazi leaders at the Congress, including Hitler, Rudolf Hess, and Julius Streicher, as well as footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction.

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Answer:

the conclusion drawn from these images is (B) singing with others activates more regions of the brain.

and the next question is (C) singing alone and signing with others activate different parts of the brain.

An instrument or procedure that measures attributes or properties of an individual is referred to as a test.

For the majority of instruments, test-retest, equivalent form, and internal consistency are the three main categories of reliability. Each gauges consistency in a somewhat different way, therefore a particular instrument need not adhere to each gauge's specifications. Test-retest evaluations gauge consistency across time.

An instrument's consistency between two versions is measured by its equivalent-form. Internal consistency evaluates the instrument's consistency (consistency among the questions). Performance and product evaluations frequently include a fourth area called "scorer agreement." Scorer agreement refers to the consistency of a performance's or product's assessment among various judges

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The specification and assumptions required to create the cost estimates for a program are laid out in a document known as the: Description of the Cost Analysis Requirements (CARD).

For instance: Building a new product will cost $100,000, and sales of $100,000 per unit are anticipated (unit price = 2). Therefore, there are 200,000 sales of benefits. The straightforward CBA formula for this project is: 200,000 in monetary benefit less 100,000 in cost = 100,000 in net benefit. Examining the costs and health effects of one or more interventions is possible through cost-effectiveness analysis. By calculating the cost to gain a unit of a health outcome, such as an additional year of life or a death that is prevented, it compares one intervention to another (or the status quo). notion Icon. Cost analysis can be divided into four categories: cost-feasibility, cost-effectiveness, cost-benefit (also known as benefit-cost), and cost-utility.

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A. Answer: The development of the brain is consistently benefited by actively playing music, according to research.

B. Answer: Numerous references to studies on the relationship between music and brain development are included in the passage.

It is true that learning outcomes are essential to a meaningful education, and putting an emphasis on learning outcomes is essential for assisting in diagnosis, enhancing teaching procedures, and enhancing student learning. In spite of the fact that institutions' courses and programs have a long history of assessing learning outcomes, the importance of learning outcomes has increased in recent years. In response to a variety of trends, challenges, and paradigm shifts in higher education, there has been an increase in interest in developing comparative measures of learning outcomes.

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Answer:

boy in the fields

Explanation:

Idiophone: Steel Drums,   Chordophone: Guitar, Violin    Aerophone: Bagpipe, Flute, whistle

The Hornbostel-Sachs classification system also includes idiophones as a category for percussion instruments. In contrast to membranophones, where only a membrane vibrates to produce sound, idiophones use the instrument's body to produce sound. Consider a set of orchestral cymbals, which vibrate when struck against one another, or even a drum set cymbal, which vibrates when struck with a drum stick. There are subcategories for idiophones.

Instruments known as chordophones use the vibration of a string, whether it is plucked, bowed, or struck, to produce sound. This category also includes a lot of keyboard instruments, like a piano, where a hammer hits a string in the instrument's body to make sound.

Any instrument that makes sound primarily by vibrating air is considered an aerophone. Brass and woodwind instruments, as well as flutes and other reed instruments, fall under this category.

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The Strings are bowed when sound is produced on the erhu, which is a chordophone.

It is believed that the instrument's first Chinese character, "èr," which means "two," is derived from its two strings. It is the second highest huqin in pitch to the gaohu in the modern Chinese orchestra, according to an alternative explanation. The second character, "h," denotes that it belongs to the Huqin family, and "Hu" typically refers to barbarians. The fact that the name Huqin literally translates to "instrument of the Hu peoples" suggests that the instrument may have come from areas in the north or west of China where nomadic people used to live on the outskirts of previous Chinese kingdoms. The erhu was primarily a folk instrument used in southern China for the majority of history, whereas the sihu was preferred by northern musicians. However, the erhu was introduced to Beijing by Liu Tianhua in the 1920s, and since then, it has become the most popular huqin. The Erhu has a long, stick-like neck with two large tuning pegs at the top and a small resonator body (sound box) at the bottom that is covered in python skin on the front end. A small loop of string (Qian Jin) around the neck and strings acting as a nut pull the strings towards the skin, holding a minute wooden bridge in place, from the pegs to the base.

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Answer:

George shouts, "There's a fire!"

The song "Will You Still Love Me Tomorrow" by The Shirelles, written by Gerry Goffin and Carole King, can be interpreted in different ways. It can be seen as a representation of female empowerment, as it portrays a woman questioning the authenticity of a man's love, and also it can be viewed as reinforcing traditional female roles.

The lyrics of the song are from a female perspective, with the narrator questioning the man she's with if he'll still love her tomorrow, after they've been intimate. This can be seen as an assertion of female agency, as the woman is expressing her own desires and concerns rather than simply being passive and waiting for the man to initiate or dictate the relationship. The lyrics "Tonight you're mine, completely / You give your love, so sweetly / Tonight the light of love is in your eyes / But will you love me tomorrow?" suggests that the woman is aware of the power dynamics in the relationship and is questioning if the man's love for her is genuine or just temporary.

However, the lyrics can also be interpreted as reinforcing traditional female roles by emphasizing the importance of love and marriage. The chorus, "Will you still love me tomorrow" implies that the woman's value and worth is determined by whether or not the man will continue to love her, which is a traditional view of women as being dependent on men for validation and support. Additionally, the lyrics that talk about "Tonight the light of love is in your eyes" reinforces the traditional idea of women being passive and waiting for men to initiate and dictate the relationship.

Overall, The song "Will You Still Love Me Tomorrow" can be interpreted in different ways, as it can be seen as a representation of female empowerment and questioning of traditional gender roles, but it also reinforces traditional female roles that revolve around men, marriage, and family. It's up to the individual listener to decide which interpretation resonates with them more based on their own perspective

TRUE  Sir John Herschel first used the term "photography" around 1839. Wet plates were glass plates that had been coated with a mixture of chemicals prior to being placed in the camera for the exposure in the collodian process.

An early photographic process was the collodion process. The collodion process, also known as the "collodion wet plate process," requires a portable darkroom for use in the field because the photographic material must be coated, sensitized, exposed, and developed in about fifteen minutes. Usually, collodion is used in its wet form, but it can also be used in its dry form, with much longer exposure times. The dry form was unsuitable for the typical portraiture work of most professional photographers in the 19th century due to the longer exposure time. As a result, most of the time, the dry form was only used for landscape photography and other special projects where minutes-long exposure times were acceptable. On a glass-like support, a negative image was created by the collodion process. This was an improvement over the daguerreotype, which produced a unique positive image that could not be replicated, and the calotype, which Henry Fox Talbot discovered used paper negatives. Thus, the collodion process combined the advantages of the daguerreotype (which produced sharpness and clarity that could not be achieved with paper negatives) and the calotype (which allowed the photographer to theoretically make an infinite number of prints from a single negative). Albumen paper was typically used for collodion printing.

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The different genres of photographs that I think the photograph fits include:

The word "photography," which comes from the Greek words "photo," which means light, and "graph," which means to draw, literally means "drawing with light." Photography is the process of capturing an image, or a photograph, on a digital electronic or magnetic memory, or on a piece of light-sensitive film.

An area's landscape, people, cultures, customs, and history may all be documented through the genre of travel photography.

It should be noted that the picture above can depict a lifestyle and travel photography.

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Sara Bareilles is the singer with the song but you're neither friend nor foe though i can't seem to let you go. the one thing that i still know is that you're keeping me down.

Sara Bareilles is an American actor, singer, and songwriter. In the US, she has sold over three million albums and over 15 million singles. She has received numerous accolades and nominations, including three Primetime Emmy Awards, two Tony Awards, nine Grammy Award nominations, with one win. She was ranked number 80 on VH1's list of the Top 100 Greatest Women in Music in February 2012.

California native Bareilles, who was born and reared in Eureka, self-published her 2004 album Careful Confessions. With the publication of her second studio album Little Voice (2007), which marked her debut work for a big record label, she gained additional fame (Epic). The album featured the number-four Billboard Hot 100 hit single "Love Song," for which she was nominated for two Grammy Awards, including Song of the Year. Her third studio album Kaleidoscope Heart was released in 2010, and its lead track "King of Anything" received a Grammy Award nomination. The third season of the NBC singing competition series The Sing-Off featured Bareilles as a judge in 2011.

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Dido is grieving the loss of her lover Aeneas, which is why the aria is titled "Dido's Lament." Because of the opera's text and plot, we are aware that it is a lament. However, Purcell also informs us that it is a lament with a stepwise-descending bass line.

Because other composers have utilized the same kind of bass line for the same reason, Purcell's audiences would have been able to tell from the music that this was an expression of profound sadness. One of your Baroque listening pieces is the final aria from Dido and Aeneas by Purcell, known as "Dido's Lament." Even though opera buffs and scholars would know exactly what the well-known title "Dido's Lament" means for an opera, recitatives and arias are technically titled after their first line—in this case, "When I am laid in earth." One of the most beautiful operatic arias is without a doubt this one. It is an example of an aria that focuses on emotion expression rather than plot advancement and features an ostinato known as a "ground bass" in the continuo section. The short recitative "Thy hand Belinda" serves as the basis for your listening example, which then moves on to the aria. Dido and her attendants are shown in her court at the start of the opera. Dido is distraught as Belinda tries to cheer him up, declaring, "Peace and I are strangers grown." Belinda suggests that the Trojan Aeneas could be the cause of Carthage's problems by getting married to him, as she thinks he is. Dido worries that Belinda's love will make her a weak monarch, but the Second Woman and Belinda reassure her that "The hero loves as well." When Aeneas enters the court, Dido greets him coldly at first, but she eventually accepts his marriage proposal.

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The quote suggests that the ultimate goal of the highest form of drama is to educate the audience about their own emotions and inner selves.

This statement appears to be a quote from a source discussing the purpose of drama and its ability to teach the audience about themselves through the emotions evoked by the characters and events in the play. The quote suggests that the ultimate goal of the highest form of drama is to educate the audience about their own emotions and inner selves.

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